The soundtrack of documentary ‘ELLIS’, composed by Woodkid and Nils Frahm, is now available following the film’s screening as part of Frahm’s Possibly Colliding marathon at Barbican.
Directed by French artist, director, and photographer JR and starring Robert De Niro, ‘ELLIS’ makes its way through the abandoned hospital complex of Ellis Island, which was the United States’ busiest immigrant inspection station for the first half of the 20th century. The gateway for over 12 million people now houses JR’s art installation ‘Unframed’.
“The opportunity to work on JR´s fantastic short film ‘ELLIS’ came through my good friend Yoann aka Woodkid,” remembers Frahm. “We agreed on recording the piano parts in my studio in Berlin and so it happened that JR and Woodkid were guests at Durton studio on a wonderful late summer’s day in 2015. We managed to record all the crucial elements that day. The music fell into our laps and melted with the images: a wonderful experience. The film has stuck in my head ever since; it moved my heart and changed my soul.
“A couple of weeks later I had to cancel a trip to Brussels because of a terror warning; all events got cancelled and I stayed home, having an unexpected day off. I felt rather depressed that day, thinking that the Europe I knew was already gone. I sat down at the harmonium, listened to Robert De Niro’s voice and played for the rest of the day. The result is ‘Winter Morning II’, the B-side of the ‘ELLIS’ soundtrack release.
“Robert says it all in 17 minutes. We are not facing a refugee crisis. We are facing a crisis because we do not embrace, we do not sympathise and we cannot give up fear. Art can encourage so I hope this project will help fight the fear in all of us,” adds Frahm.
Adds Yoann Lemoine, aka Woodkid: “I initially wanted this piece to sound like it was recorded on an old piano that we found in the ruins of Ellis Island, in the restricted area that is not open to the public, where JR pasted the pictures on the walls for the film ‘ELLIS’.
“I had worked with Nils before and I wanted him to create a sound for this piano part that I composed that was extremely gentle and organic. I wanted the listener to hear the mechanisms, the breathing of the instrument. I wanted it to be imperfect, to sound like a ruin, a trace, an echo, the way the pastings on the walls seem to be ghosts, almost imperceptible.
“After a few rehearsals, Nils stripped down my piano parts and we removed almost all orchestration around the piano. He then worked on the extended version that is his interpretation of my piece, with Robert De Niro’s vocals.
“Because this film and this recording is historically meaningful, it was important for us to create this piece as an echo to the immigration situation in Europe, and decided to release it in support of Sea Watch.”
All proceeds from the album go to the Sea Watch initiative, a non-profit charity dedicated to the protection and rescue of civilian refugees.