Tag Archives: dear silence thieves

Dan Patlansky has ‘IntroVertigo’ in London

Introvertigo is the “dizziness and disorientation felt by an introvert after spending more than 5 minutes with an extrovert”. It’s also the name of the latest album by South African blues-rock guitarist Dan Patlansky.

Due for release in the UK on 6 May 2016, the follow-up to 2015’s ‘Dear Silence Thieves’ will be accompanied by extensive touring. Patlansky will be special guest on King King’s national tour in May before heading out on his own headline trek the following month, which includes a stop in London.

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Dan Patlansky: Time slipping by so fast

Dan Patlansky | Hammersmith Eventim Apollo | 11 November 2015

Photo credit: John Bull

Dan Patlansky pulls the strap off his guitar. It’s a sure sign that something spectacular is about to happen, even though the musician has already won over an audience of Joe Satriani fans.

The bluesman has shown off his soul-baring playing style with the moody instrumental that opens his 40-minute support slot. He’s underlined the depth of his songwriting talents with the widescreen epic ‘Bring The World To Its Knees’, a heartfelt paean from 2012 offering ‘20 Stones’ that features a couple of searing solos for good measure. He’s shown off his willingness to explore new sounds on the adventurous ‘Run’, an explosive, hard-rocking track set to surface on forthcoming album ‘INTRO-VERTIGO’.

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Dan Patlansky: Bring the world to its knees

Dan Patlanksy | The Borderline |  27 April 2015

The walls of The Borderline are lined with old performance photos of musicians who’ve gone on to sell out arenas and even stadiums. If his sold-out show is anything to go by, it won’t be long before Dan Patlansky’s picture is up there alongside Pearl Jam’s.

The South African uses the launch of his new album, ‘Dear Silence Thieves’, to showcase not only his natural talent as a virtuoso blues guitarist but also his ever-expanding skills as singer and songwriter. Case in point: the fiery funk of set opener ‘Backbite’ is a world away from the 12-bar blues he cut his teeth on – a concise, catchy radio hit-in-waiting. Here in the freedom of the live setting it plays out a little longer than the version on record, thanks to one of his signature searing solos that show off his chops (and accompanying facial gurning) without a trace of self-indulgence.

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